SETS is a series of sculptures and scenography that utilize film making gear combined with impractical shapes to evoke furniture pieces, landscapes, architecture and the subconscious. They are sometimes accompanied by performances.

By deliberately defying ergonomics and logic, SETS serve as a metaphor for both the impermanent nature of film sets, their illusion of reality and the notion of utility. They are the material manifestation of human emotions and how they fluctuate over time. Interrupted, senseless, misunderstood. The result are tridimensional Dadaist artifacts. Through discernment interpretations become Surreal.

SETS are constructed by repurposing materials found on film sets. On each SET they appear out of context replacing its intended practicality with the absurd. They are based on film, architecture, art, design and personal narrative as constructs for this Auto-Fiction. The use sharp angles, textures and layers to build pieces that are strong, secluded and unsuitable. To remake, reimagine is a reflexion on the meaning of intended purpose, repurpose and ultimately change. A kind of uncanniness, emotional detachment as a prop to adapt. Present yet inaccessible.